My work isn’t about preserving memory. It’s about processing it.
I’m a visual artist working with emotion, perception, and cultural residue, using technology as a medium to explore what each leaves behind.
Primitives is my current and evolving framework for composing creative work through modular, emotionally encoded building blocks. These primitives function as a visual language, mapping affect through color, structure, and metadata.
My approach traces back to the Palette Paradigm, a formative educational model that treated art as the connective tissue across disciplines. It shaped not just my practice, but my way of thinking. Decades later, it still informs how I move through the world and build connections.
Writing, sketching, and notation are the foundations of my ideation process, helping me shape early concepts and emotional structures.
My practice draws from human-centered design, systems thinking, and research-based inquiry. Whether building blockchain infrastructure or redacting a page until only an emotional imprint remains, I treat creative work as a way to shape resonance, not preserve permanence.
I create tools that others can use to express, adapt, and transmit shared experience. I'm not trying to make things permanent. I'm trying to give them form.